来自东京中野区（Nakano-ku）的Pholi给Take10做的一辑radiomix。中野区是动漫店聚集的地方，论音乐氛围则比不上隔壁的高円寺（Kouenji），尽是音乐人，唱片店，俱乐部扎堆的地方。不过他家附近的Heavy Sick Zero俱乐部也是个不错的蒲点。比如Merzbow就会在8月20日晚在该店演出。

聆听来自东京的音乐选择：今晚首播。以后每周六晚9点到10点重播。

playlist:

01---rovo - nov ( 0 : 05 : 45 )
02---Mika Nakashima - Love Addict (Inst) ( 0 : 07 : 11 )
03---Jazzland Sessions - Sunset 3 ( 0 : 04 : 20 )
04---Bugge Wesseltoft & Dhafer Youssef - frik ( 0 : 06 : 22 )
05---tokyo zawinul bach - anga/walinzi ( 0 : 04 : 24 )
06---wibutee - ear traffic ( 0 : 04 : 18 )
07---John Greaves - Kew. Rhone ft.Robert Wyatt ( 0 : 05 : 26 )
08---nouvelle vague - this is not a love song ( 0 : 03 : 47 )
09---telepopmusik - don't look back ( 0 : 03 : 50 )
10---kettel - pinch of peer ( 0 : 04 : 16 )
11---boom bip - soft and open ( 0 : 02 : 18 )
12---Radiq - sexual fiction ( 0 : 05 : 26 )
13---The Detroit Experiment  - Space Odyssey ( 0 : 05 : 25 )
14---skalpel - so far ( 0 : 05 : 14 )

To Keiron Hurley, ex-director of the Acid Jazz record label and co-owner of the T-shirt company Red Dot, graphic design was only an influence as a platform to rebel against. He formed Red Dot with Charlie and Peter Caplowe, creating shirts with imagery that reflect his humour, from the graphic 'Witness Relocation Program' shirts to the photographic image of headphones hanging around the T-shirt's neck. "Me and Charlie were drunk one night and it seemed like a good idea. The T-shirt is such a blank canvas. There's so much scope to get your teeth into. You don't have to be a rocket scientist to put them together."

没想到别人醉酒后的创意穿到了自己身上。两个半月前自拍于柏林。

lasse marhaug just finished his gig at john dee. his bio at oeya:

Lasse Marhaug is the Norwegian national champion of noise, so to speak. He makes music that has altered the way people view rock. He's been active on the noise rock scene for the past fifteen years. He's known as a member of Jazzkammer and has worked with people like Mats Gustafsson, Maja Ratkje and musicians from Norwegian black metal. This spring he played with drone metal band Sunn O))) at the Inferno Festival, a concert that won't be forgotten anytime soon by those who were present. Lasse Marhaug's latest album, The Shape Of Rock To Come (2004) was nominated for Spellemannsprisen (the Norwegian Grammy). The contents of the album is a mixture of the brutality found in extreme metal, the energy of free jazz, the guitar walls of indie rock and also clear references to the electronica genre. In other, this will be a nightly concert quite out of the ordinary.

資本家 说：
有次我聼take10，有個chapter非常棒。就是把一個女人深度睡眠時發出的模糊不清的囈語錄下來，然後配上恐怖background。聼起來真的令人毛骨悚然。

这是我见过的最有趣的听众反馈了。勾起了我的好奇心，但实在想不起来是哪一段。

车子路过江南大道海员宾馆见到的是夜灯下惨白狰狞的垂直废墟，让我回想起911后的两个月近距离看纽约世贸中心的情景。

Scanner是个刻苦勤奋的孩子（思源的话），从他的博客和每年的项目量可以看出。刚写完《混音无疆界》的文章，就看到其实Scanner已经把这种概念伸到了政治领域。项目Europa25示范了混音是创作邦联歌曲的解决方案。和政治开了玩笑，因为它更凸现了欧盟各国国歌的哀乐内里。在Echo Days，回声定位将声音和空间尺度联系起来，不失为一个好的创作出发点。但最后用于表现大自然/城市风景的静态黑白图像逐格播放并没有表达出声音和空间的关系。项目Salle des Departs（离别大堂）倒反映了发起人，位于巴黎附近的Garches的Raymond Poincare医院的病理学主治医师Michel Durigon教授借艺术作精神理疗的前沿理念。他请意大利艺术家Ettore Spalletti作室内设计（此人还包办了墙上的画作），极简纯净的风格给垂死的人搭了一架通往天堂的阶梯。Scanner的作业听起来还是太快，令人心绪不宁，虽然概念很好-想创造一种“打开窗户，远处飘来的钢琴声”意境。我想Biosphere的作品会更适合。

接着Scanner会在9月份跟着BBC Wales的一辆集联网，制作，广播一体的全副武装的大巴巡游英国西部，边玩，边采集声音，一边创作和作移动广播。过上一种声音游牧式的逍遥生活。