zaha hadid 的新作，位于德国 wolfsburg 上月24日刚开幕的 phaeno 科学中心。一艘降落在“狼堡”的太空飞船。女性味十足，带着其他前卫建筑所不具备的亲和力。不就是向勒科布西埃的朗香教堂致敬后的结果吗？从下列图集可一览从草图到预想图到建成品的发展过程。

下图：勒科布西埃的朗香教堂，世纪之作。

2006年1月31日补记：chinoXL63 用相机记录了Phaeno Science Center开幕的盛况。

北京的pulpographic和伦敦的stylorouge的主创人员相差20岁，他们的作品之间却存在着意义关联。pulpozone里拼贴出的是一个retro-futuristic的世界，同时是一种童心回归的具像化寄托。stylorouge为 tears for fears 1989年的专辑 the seeds of love 设计的封面大有将自然人性化的企图，描绘出 roland orzabal 和 curt smith 的心像。pulpozone带出的是对和平年代四处潜伏的危机和冲突的关注，而 the seeds of love 则是两人对当年铁娘子二度执政后周遭冷漠世界的不满和理想呼吁。

从美学角度看，两者也不可避免地带上了时代的烙印而各成体系。

arve henriksen 的小号声取代了 jon hassell 的出现在 david sylvian 的新专辑 snow borne sorrow 中。并非学生超越了老师的老师，而是作为“新生代”小号手如人声般抑扬游转的小号声更符合 david sylvian 弃旧从新的需要。从现场来听，jon hassell 的小号依然是黑巧克力中的极品。黑，下沉，从容。

MCB online 上袁智聪对 david sylvian 的新组合 nine horses 细数来龙去脉。

Dig for fire 上有人还仔细地研究了它的节拍（见第9段留言）。

Nine Horses: David Sylvian, Steve Jansen 和 Burnt Friedman

今天科隆下了第一场雪。一个小时之前，巴黎也下雪了！！

城画以6个版面的篇幅（罕见）刊登了对bugge wesseltoft的专访，八卦及jazzland名盘录，让没能赶上的我补足。亦朋写的随行录风格依旧辛辣，见血。看得过瘾。

附：bugge在北京的户外大海报。

bugge's room今晚有eivind aarset group的现场，中部欧洲时间晚7点开始，相当于北京时间周六凌晨两点。不容错过。

再次从everything2上获得。有趣的故事。

Les Feuilles Mortes (Autumn Leaves), Lyrics by Jacques Prévert, (1945) Music by Joseph Kosma, (1945), was first sung in French in 1945 by the French singer/actor Yves Montand as "Jean Diego" in Marcel Carné's film Les Portes de la Nuit. The movie, written by French poet Jacques Prévert, is a sad love story set in post-World War II Paris, February 1945. After Jean Diego, a manual laborer, sees his friend Raymond Lecuyer, newly released from prison, he encounters a tramp who calls himself Fate. The tramp predicts that Jean will soon meet and fall in love with the most wonderful woman in the world. His prophecy appears to come true as Jean meets Malou that evening. However, he quickly discovers that her brother Guy is the person who gave Raymond away to the Gestapo.

The English lyrics of Autumn Leaves by Johnny Mercer (1950) (in Beltane's WU above) are less melancholy than the French lyrics of Jacques Prévert. Many performers such as Frank Sinatra, Nat King Cole, and Barbra Streisand have recorded English versions, sometimes adding a stanza from the French lyrics in lieu of the repeated English stanzas. An instrumental version by Miles Davis and John Coltrane sounds beautiful without words.

The melody of 'Autumn Leaves' was originally written as a ballet music for 'Le rendez-vous' for Roland Petit. The original stage design was done by Pablo Picasso. Moved by the music and the dance, the French film director Michael Carne' based his screenplay on 'Le rendez-vous': not without problems. Originally he tried to talk Marlene Dietrich into playing the lead role, which she refused. Another actor refused the role because of the fact that Marlene had refused. The composer Kosma, who had set the melody of the ballet into a chanson on the poem ' Feuilles mortes' (Dead leaves), insisted in using the sung version. The movie was a disaster, but the melody (hummed by Yves Montand) became an instant hit. History tells that the first recording was made by Cora Vaucair in 1948. Yves Montand followed the same year. In 1949, Juliette Greco made the first clip while singing the song (amidst autumn scenes of course). The first English version, which was translated by Johnny Mercer, was sung by Edith Piaf, the famous French 'chansonier'. The rest is history: Jo Stafford (1950), Mitch Miller (1950), Bing Crosby (1950), Artie Shaw (1951), Anny Gould (1955), Roger Williams (1955), Nat King Cole (1955), Frank Sinatra (1956), Stéphane Grapelli (1956), Duke Ellington (1957), Cannonball Adderley (1958), Sylvie Vartan (1968), Placido Domingo (1990) and Ute Lemper (1992).